In Conversation >> ProFounder’s Jessica Jackley

Kiva co-founder Jessica Jackley sat down with Women 2.0 recently to talk about her goals for improving company fundraising with her latest endeavor, ProFounder. The LA-based startup looks to make it easier for entrepreneurs to raise capital and give returns to investors they know (or don’t–there service has a new offering for public investment). Do take a look.

Lunch Love Community in School

Just as President Obama signed the Healthy, Hunger-Free Kids Act into law, a series of videos have been released showing the difference fresh foods have made across the Bay. The Lunch Love Community Documentary Project explores the community-based school lunch reform movement (in Berkeley, though I know you were wondering where such a thing could possibly come to be).

Webisodes showing “how passionate and dedicated people coming together can change the way their children eat, how they think, and how they learn in school” were supported by Kickstarter investments and are intended to be part of a full length documentary next year. If you watch the spots, I’d start with the one that features sixth graders watching what happens when they burn a Hot Cheeto. It’s not pretty, but then again, neither is the state of vending machines in schools.

Local Film Connected Utah-Bound

While thinking about January brings slight sadness for many (post-holiday glum, not to mention keeping resolutions), the first month of the year has me excited for all that Utah offers, mainly the Altitude Design Summit and Sundance. I tend to talk about both throughout the year–the people! the projects!–and am especially excited for the premiere of Connected at this year’s film festival.

The feature-length “Autoblogography about Love, Death & Technology” was just announced as part of this year’s documentary competition. Filmmaker and Webby Awards founder Tiffany Shlain talked about the project at Ignite Bay Area a year ago when it was still in production, and I hope her five-minute talk gets you thinking about “surprising links between right brain and left; alphabets and power; honey bees and stress; hormones and happiness; technology and nature” and the like.

TEDWomen, The Day After

As a producer of events that are partly intended to bring more women technologists to the stage, I was glad to hear that TED conference curators planned to get 70 women speaking in December for a new iteration of their series.

The “Technology Entertainment Design” presentations have focused less on tech in recent years to accommodate more diverse topics (think philanthropy and medicine among other topics). While my first reaction is to be disappointed by the move to spend less time on deep and consumer tech innovations, the two days in DC were a welcome change from conferences and workshops with narrower focuses.

Co-host Pat Mitchell, who said she “takes TED like a mind spa,” said that about 500 names were on the table for potential speakers. (“Everyone suddenly realized that they know a woman who should be on stage,” she said in a press briefing. This was a major change from the 85 percent of speaker recommendations that usually come in for prospective male presenters.) Among the women who shared their work were Cynthia Breazeal, who runs the Personal Robots Lab at the MIT Media Lab and demonstrated how distant co-working can be improved by mobile phone docks with arm-like appendages, and Heather Knight, a roboticist and sensor-based artist who shared a standup joke-telling robot that gauges audience reactions and reacts accordingly. (Icelandic financier Halla Tomasdottir’s talk is the first talk by a woman presenter at this week’s conference to be available online, and I strongly suggest watching Facebook COO Sheryl Sandberg’s observations about working motherhood when they’re released.)

I agree with Mitchell’s co-host, June Cohen, that it can be harder for producers to find women speakers, as they’re less likely to accept invitations to present and more likely to cancel to be with their teams and children. This was a sad reality when Carmel Hagen and I planned local Ignite Bay Area events but one that just requires more work to bring women’s contributions to conferences in bigger ways. more

The Girl Effect & Education Importance

Hardly a week goes by lately that doesn’t involve someone I respect referencing The Girl Effect videos. “Have you seen those spots about the value of girl’s self-esteem?” and “I can’t remember what they’re called, but those animated spots about girls and HIV prevention” and other phrases are now becoming so repeated that I wanted to pay homage to the campaign about girls’ unique opportunities to raise themselves and their communities out of poverty. The key? Education.

You can read other thoughts on the six GirlEffect.org spots on the Wise Living Blog. Consider it a set of opposing outcomes–school and financial independence, or illiteracy and early and unhealthy pregnancies–that affect “Girls. And boys. And moms and dads and countries and villages and towns and countries.”

Miss Representation on Media Messaging

While Jane Fonda, Lisa Ling and Margaret Cho may not immediately seem to have much in common, I’m excited to see that they’ve all participated in Miss Representation, an upcoming documentary that will examine how women are portrayed by network television and major media. Actress and SF First Lady Jennifer Siebel Newsom directed the film, whose trailer was shown at an International Museum of Women event this week to introduce “Reality Bites Back,” Jennifer Pozner’s book about guilty pleasure television and the need to become more critical consumers. You can see the feature-length project in early 2011 (from a public awareness perspective, it can’t come soon enough).

In Conversation >> Catapult’s Heather Fleming

After she brought the wonderfully insightful Fail Faire to SF, Heather Fleming, the co-founder of Catapult Design, and I talked at her Mission Street office space (the consultancy’s work to develop products and technology that improve livelihoods were the topics du jour). The engineer and Stanford design and sustainability instructor talked to Women 2.0 about wearing business development and project management hats simultaneously at the helm of the new non-profit.

Congrats to Calisphere

I’m a sucker for vintage photography (as evidenced by the amount of time it took me to get through the Oakland Museum’s state exhibit), so getting turned onto Calisphere made for a less-than-productive but quite wonderful flight home this weekend. The “world of digital resources” features an extensive selection of images, artwork and articles from University of California libraries. Themed collections include “California in transition,” “emerging industrial order” and “social reform,” and there are emphases on population diversity and local history mapping. You  haven’t seen interactive archives like this before.

A few of my favorite shots include Angela Davis after a Black Panther shootout, Willie Ford’s 1970s balloon shot and crate labels by the Orange Fruit Company. Now that I’ve landed it’s back to project work, but not before a bit more browsing.

Hey, Slackers

I’ve seen better versions of ridiculous dance videos paired with modern melodies, but this (JAY-Z-ERCISE?) is still a midday guilty pleasure.

Berkeley/YouTube Mashup

After a story about a friend’s grade school son using YouTube as a homework resource made the NYT a few years ago (and apologies for not being able to find it due to search limitations), I’ve been fascinated by the idea of web video as classroom tool. And not just for kids but for PhD researchers and adult learners alike, which is why I’m intrigued by Wednesday’s talk by Pitzer College’s Alexandra Juhasz.

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“To Teach, Write, and Learn on YouTube: Publishing Theory and Practice On-Line” is being co-presented at Cal by the Berkeley Center for New Media in advance of Juhasz’s findings and videos being published in a digital book by MIT Press. Her “two-year project—to teach, write, and learn about YouTube on YouTube—raises the hows and whys of (re)presentation and translation of on-line experiences and analyses across vernaculars, audiences, and media”–and should you be interested in its implications for publishing, please report back.