Ignite Bay Area | Web 2.0 Expo Edition: Call for Submissions

If you’ve been watching the most recent Ignite Show videos wondering how you can get a piece of the action or have a compelling concept for a five-minute talk this May, please send ideas for the next Ignite Bay Area our way by April 11. Speakers will present their thoughts, creations or cleverness to Web 2.0 Expo-goers and members of the public over the course of 20 slides. Historical, knowledge-sharing, and funny talks tend to resonate better than product pitches in this format, and we encourage you to think big. Our only ask: enlighten us, but make it quick.

What: The potential for you to prepare a brief talk related to your knowledge/experience/passion
When: Monday, May 3, at Mezzanine (444 Jessie Street, SF)
How: Write to ignitesf@gmail.com with “submission idea” included in your subject line. Send a paragraph pitch by midnight on April 11 for consideration. Speakers will be notified the week of April 19 for the next set of public talks to be hosted by Ignite co-founder Brady Forrest, TechWeb, and Bay Area planners Carmel Hagen and Emily Goligoski.

To Catch a Dollar Opens in Advance of Grameen Branch in SF

This week’s Sundance Film Festival premiere of the documentary To Catch a Dollar: Muhammad Yunus Banks on America about the first women recipients of Grameen America bank’s microloans is important not just for its stories about low-income Queens residents but for the themes it discusses in advance of the opening of the San Francisco branch.

Read more on the Huffington Post Impact story or continue on TheSanFranista.

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Blog Out Loud, Where’s Waldo, and Other LA Events

I’ll be playing Angelino next week with a few Southern California events–do join if you’re in town.

BOL 4 digital flyerOn Wednesday, November 4, I’m looking forward to the next Blog Out Loud event about creative and design work (Design Within Reach being a topical host). A recent BOL panel at Bell Jar in SF had a knowledgeable lineup, and this time around I’m honored to join Gregory Han (Apartment Therapy, Unplggd), Laure Joliet (AT, At Home, Dwell), Alissa Walker (Gelatobaby,  Fast Company, GOOD), and Haily Zaki (American Express OPEN Forum, Curbed LA, Inhabitat). A group who can multi-task, no doubt.

473978683Next Thursday, LuckyNY co-founder Jonathan Rosen and I will be talking about sports and online media for the event “WHERE’S WALDO: Finding Social Influencers & Decreasing Your Costs.” I’m looking forward to the group, which includes 5ones’ Cameron Olthius, Scott Tilton of Loop’d, photographer Jonathan Nafarrete, and bigMETHOD’s Greg Cargill. It will be at the great cost of free at Blank Spaces and moderated by PacSun social media manager Denise Garciano.

sustainable-business-bike-rideOxt weekend (phrase courtesy of developer Jeremy Knight) will be the Opportunity Green conference at UCLA’s Anderson School of Management. I’ve been looking forward to this for quite a while, and not just because Yves Bahar and Business Week innovation editor Heather Walters will be speaking (to say nothing of Story of Stuff creator Annie Leonard). Seeing Johnson & Johnson and Proctor & Gamble planning sustainability initiatives alongside the X Prize team seems to be a step change to me, and one that indicates that the economic benefits of reducing energy usage is being recognized on a large scale. I’m bummed that I won’t be able to participate in the SF-to-LA bike ride (Tour de OG) but excited to take part.

Notes on Design: Celeste Prevost of DesignIsFine

NOD logoI had a great time interviewing Minneapolis-based designer Celeste Prevost recently for the web magazine Notes On Design. Her work is fresh (as evidenced by the Ridin’ Dirty poster she created for the ARTCRANK poster show in her current locale of Minneapolis), but see for yourself.

Full interview on NoD. Series logo above by Jamie Panzarella, and all other work by Prevost.

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After a stint in Colorado where she earned recognition for a clean, often humorous body of work now detailed on her newly redesigned site Designisfine, designer/illustrator Celeste Prevost has landed her creative talents in Minneapolis. In addition to working in-house at marketing firm Zeus Jones she takes on freelance projects that inspire her creatively. Here Celeste describes her career path, shows us the mood boards she creates for inspiration, and let’s us have a look at her design space at Zeus Jones where she and husband (Rob Angermuller of www.lifterbaron.com and designer for ARTCRANK) spend their weekends being creative at their adjacent desks.

NoD: You sometimes make your designs available for little or no payment. What are your thoughts around arguments for creative and media work being shared for free online?

Celeste Prevost: A typeface I created and posted for free download, Hand of God, is kind of gimmicky and I made it to be used publicly. I’m not a professional typographer, but I was happy when a small Boulder company called Humanoid Wake approached me obout using it on one of their wakeboards soon. It will stay free for them.

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Headline News that’s Good for You

In yet another attempt to bring smiles to recession-wary locals, Florida Street company Headline Shirts is using cotton and cartoons to introduce a new series of San Francisco-themed t-shirts. If you’ve eaten a taco, ridden a bus, or looked skyward in this city, you’ll appreciate the Ts featuring the 22 Filmore crashing into a fire hydrant and the “I (image of bike tire where stolen frame once was) SF.” I paid Headline creative director Jake Ginsky and Chris Gorog, the founder of parent brand Revel Industries, a visit yesterday and walked away with my own wish list.

missiontaco_wht_w_443The company, which I first noticed for their SMS-driven Reactees and “America-Everyone Hates Us Now!” shirt that Villians sold during the last days of the Bush administration, said that the provocative nature of their work has gained more acceptance with people speaking their minds in the midst of the administrative change. Still, Gorog said it’s imperative to him that the company’s wares are positive as “T-shirts are an inexpensive way to improve your spirit in these down times.”

With 20 top end menswear stores predicted to be out of business by the end of the year, Gorog said Headline Ts have been the most recession-proof of his three lines (which include the mid-market menswear line REVL and the top-end Gythamander). The California-produced shirts, which include “Party like it’s 1929″ in a Dirty Dancing-inspired font, are sold everywhere from Canada to Japan and printed with eco-friendly inks.

muni_orn_m_443-2The four-person Headline crew (with specialties in design, technology and operations but who all work on customer service) will move above Weird Fish on Mission Street in July, where they’ll remain founding members of the “Mission Garmentos Association,” a nod to their relatively lengthy experience (and survival) in fashion retail.

Ginsky and Gorog are honest about mistakes they’ve made. It seems that the 53 steps required to produce a men’s buttondown makes for a very intricate process, and a $2,000 mold used to create a belt buckle featuring a running horse yielded only six belts. When asked about advice for other clothing upstarts, Gorog said he’d advise securing a quarter of a million dollars, expect growth to take three years, and plan to go out every night to promote it. (The continual personal promotion of the brand helps in a major way and is a lesson that another local shirt designer, WilloToons founder Willo O’Brien, demonstrates brilliantly.)

Still, they’ve established a set of products between the three lines that’s diverse enough to keep them afloat and have a ball while doing so. Because, as Gorog said, “If you’re not having fun, you should at least do something that will make you more money.”

GOOD Coming Back to SF

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Social commentary publication and infographic extraordinaire Good Magazine is coming back to the Bay next Tuesday. Their get-togethers tend to be a blast (and it seems that they’ve got a location they can’t leave in 111 Minna).

Women 2.0 In Conversation: Veronica Belmont

My video interview partner in crime, Saroj Yadav, published her conversation with Tekzilla’s Veronica Belmont on the same day that the Revision3 host and I were in Santa Clara last week for Intel’s Upgrade Your Life. The most recent addition to the Women 2.0 In Conversation series with tech experts and entrpreneurs features Belmont talking about the steps she took from interning at CNET to hosting Tekzilla and Qore (the most notable advice being “know what you’re talking about”).

Geocatching Phone Game GoWalla to Grow

If a vintage suitcase featuring city stickers, a scavenger hunt, and an iPhone 3G were combined, the result would be location-based travel game Gowalla. The recently launched game from Texas-based “digital collectibles” company AlamoFire invites users to collect virtual stamps at the places they visit, hide icons for friends to find, and earn pins of glory, the granddaddy of Gowalla achievements awarded for completed trips. Austintonians and San Franciscans are currently the only app purchasers who can participate in the full experience, but other cities nationwide are being added and partially guided by the recommendations of user-added hot spots. Who doesn’t want to be rewarded for visiting extraordinary and everyday places in New York, DC and Chicago with phone in hand?

[Reposted from this morning's JoshSpear post.]

Two Amazing, Travel-Filled Weeks: The India Edition

There are nearly as many ways to recap Northern Indian travels as there are styles of tunics or types of flatbread in a single state. But for my cycling-centric self, the best way theme for telling about the past half month is transportation—it amazed and scared the daylights out of me. (Full disclosure: I’ve badly hit two parked cars behind the wheel, so I’m driving shy to begin with, making the traffic circles, right side setup and complete chaos even more amazing to me). A brief rundown of the options includes:

Autorickshaw.

I’m mildly obsessed with these, no question. At 30 to 70 rupees ($1.50 at the most) for an average city trip, they’re a fun way to get around and see a lot. (Run a quick Flickr search for “tuk tuk, India” to see why—these doorless wonders are the ideal way to get through tight spots.) An autorickshaw gave a friend and I a fantastic nighttime trip through a fort built from stone and ghee (butter fat—and it’s been standing for more than 400 years; just don’t think what it does to your arteries).

Ambassador.

These white beauties are the official government car in the state of Rajasthan and made my eyes pop when I was picked up in one my first morning in Delhi. The driver/guide Raj was a great accomplice for a day of Gandhi memorials, naan overeating, and Suni temples. The best feature of his Ambassador was the speed with which the windows can be rolled up—one minute I was enjoying the nice late winter temperatures with the window down and the next four English magazines for sale would be nearly jammed inside at a stop light (when they were being observed).

Bus.

I was delighted to see a request for “horn please” on the first bus I saw, only to discover that this was redundant—in a place where people turn their car and motorcycle mirrors in to keep them from being knocked off, horns are the best way to tell other drivers about impending turns, frustration, and general greetings. NPR ran a great piece, “New Delhi motorists drive with their ears,” shortly after I returned stateside about Indian horn use that’s well worth a listen.

Blinkers are also used infrequently, which my friend Jyoti and I discovered when we were riding in an Ambassador that was hit by an autorickshaw mid-turn. (The accident wasn’t surprising—it was bound to happen in 14 days of travel—but the fact that our driver had actually used his turn signal was.) He was so upset with the red paint on the side of his pearly white car that he took the autorickshaw driver’s keys and sped away, leaving him stranded on the side of the road with passerbys who came to see the scuffle. Simply one of the most amazing moves I’ve seen ever.

Scooter.

Not a moped and not a motorcycle, this pink Scooty (brand name, not a painful abbreviation) was the #1 method of transport for two days in Bhilai. Quick and colorful, it’s great for running errands of the scarf buying variety and costs less than $3 to fill up.

(These are better than the Domino’s and McDonald’s motorcycles that deliver pizza and paneer sandwiches, slightly.)

On foot.

The single most intriguing thing I saw happen while walking were women carrying large light-up boxes on their heads for a birath, the walk that a groom and his friends and family make to his bride’s house before their wedding ceremony. My friend Pooja and I participated for an hour and a half of firecrackers and dancing, which was only one portion of the walking journey before her co-worker’s nuptials and a total blast. I was slightly concerned about the necks of the eight women carrying the massive boxes on their heads (one glance at th

e electrical outlets shows why), but we all arrived alive after the warm up to Punjabi music on the dance floor at the wedding hall. Quite a Wednesday night—it’s wedding season now so grooms on white horses and elephants can be seen walking down the street of Jaipur and Raipur* (unrelated city stops) every night of the week.

Plane.

After having my Air India flight oversold and showing up at the airport too late (knowing whether to show up two hours or 20 minutes before a flight is debatable depending on who you ask), I’d rather gloss over air travel.

Camel.

If you’re able to get past the main form of traffic (bovine), you’ll discover the second most endearing form of animal transport—camels in the desert outside Jaiselmer. After the initial two minutes of “gee whiz,” I came to the conclusion that I don’t need to ride another one of these—the ascent and descent is jarring and they make a Delhi bus station seem like a great smelling experience comparatively. (When they weren’t selecting ringtones between sand dunes, our camel handlers told us that one of the camels we were riding was named Michael Jackson.) 

It’s clear that trains are missing from this list—an embarrassing thing to admit, even though 99% of them don’t compare with those glamorized in Darjeeling Limited. It just means that another trip to the subcontinent needs to happen before my five-year visa expires.

*While writing this post I’ve spent $12 on soundtracks for the two Bollywood films we saw at megaplexes, the terrifically titled Luck by Chance and Rab Ne Bana Di Jodi (in which megastar Shah Rukh Khan plays both an electric company teller and a dance competition sleezeball to win a girl), which is more than I spent on a hotel room in either Raipur or Agra.

My Hero Zero

At Rickshaw Bagworks’ factory opening party recently, I was impressed to see the ways that the new company has optimized their production process to reduce wasted fabric. The ZERO shoulder bag is available in four sizes, each constructed from a single piece of material patterned in rectangles. The Timbuk2 alums who founded the company say that eliminating scraps brings the cost of their made-to-order bags down. At $40 to $70 for the different ZERO sizes, I agree that what’s good for the environment is also easier on the pocketbook.

Since opening their factory in SF’s Dogpatch they’ve created messenger bags for attendees at this year’s TED and Social Capital Markets conferences. If minimizing a manufacturing supply chain footprint doesn’t sound very visual, that’s only because you haven’t checked out the eye candy on their Flickr stream.

More images are available on JoshSpear.